For the uninitiated, Glam Slam are a local band who embrace sparkles, platforms and play 70’s/80’s inspired rock, with a big dose of glam. Newcastle Live contributor Dan Beazley was given the job of finding out the secret behind this bandโ€™s success in packing out rooms around town and across the region with fans that keep coming back for more.

The first time I experienced the Glam Slam juggernaut was during a benefit show for the family of the late and great UJ Neil. Iโ€™d heard a lot about Glam Slam before that night and had seen a bunch of shots online (all dressed up in their spandex with feather boas and makeup) but as they took to the stage I was still unsure about what to expect.

What I noticed that night was a special something happening between the band and the audience. Something I havenโ€™t seen from a local covers act in a while; Mutual appreciation. The people in the band were enjoying the people in the audience and vice versa. They were in it together. Anyone my age (letโ€™s just say 35+) will be puzzled to why Iโ€™m pointing this out, I mean, thatโ€™s whatโ€™s meant to happen at a gig isnโ€™t it? But the truth is, the art of entertainers making the audience feel like theyโ€™re a part of the show is a dying art. Most โ€˜cover bandsโ€™ set up, play their stuff (usually amazingly well, Newcastle definitely produces some fine musicians), and the crowd either take it or leaves it. That didnโ€™t appear to be happening that night and if the gigs Iโ€™ve seen the band play since that night are any indication, thereโ€™s no chance to be left behind at a Glam Slam show. They just bring you along for the rid,e whether you like it or not. This is just one element of the band, but in my opinion, itโ€™s one of the main reasons why they draw a crowd every time they play.

The music, too, is something different. Every Newcastle covers band has a good list of hits from the 70โ€™s and 80โ€™s, but the songs this band focus on from that era are the real anthems. They play songs that you love but donโ€™t hear at the pub every weekend. Thereโ€™s no Barnsey or Farnsey here; itโ€™s more Joan Jett and Heart. People love these songs because they get you moving, especially when theyโ€™re presented with all the energy of a travelling circus performing on opening night.

So that brings me to the bandโ€™s gimmickโ€ฆ GLAM! Everything about the way this band present themselves is overblown and big. Itโ€™s like theatre. Gestures are overemphasised, stances are large and strong, and thereโ€™s a playfulness to their playing. While these are all tried and tested tricks of the trade itโ€™s refreshing to see.

I must admit I was pretty excited when the bandโ€™s EP called โ€œGetcha Boots Onโ€ landed on my desk. Unfortunately, it has to be said that the recording of these songs isnโ€™t great, and at times the rhythm seems a little ploddy. Underneath this, though, are 3 great songs. They all remind me of other songs, but thatโ€™s not a bad thing. I think some artists try too hard to be โ€œoriginalโ€ and forget about the end listener. Thatโ€™s what these songs have going for themโ€ฆ Theyโ€™re fun to listen to. From the very Suzi Quatro vocal tones and hair band lead guitar on the title track โ€œGetcha Boots Onโ€ to the Come Sail Away (by Styx) feel of โ€œHeavenlyโ€, these songs are extremely listenable and refreshingly familiar.

I want to finish my review by urging you to get to a Glam Slam gig. For me, this band stands up next to local acts of the past like Skazoo and the Natural Mystics. Bands that were doing something different than what everyone else was doing at the time. Fortunately, unlike Skazoo and the Natural Mystics, you can see Glam Slam this weekend and the weekend after. Get to a gig, you wonโ€™t regret it.

PHOTOS: Craig Wilson from Swamp House

GLAM SLAM


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